
Julia Allison, Meghan Asha and Mary Ramblin. Photo from the TMI Weekly blog.
It’s a quiet afternoon when my phone rings with an unknown number. I don’t get a lot of phone calls from unknown numbers, especially from people who have been the focus of both
the New York Times and
fierce reblogging sites, so it’s a bit surprising to discover that Julia Allison is on the line.
Allison was calling me because about half an hour earlier, I had emailed her about
TMI Weekly, the show she co-hosted and produced for Next New Networks starting in the fall of 2008 — and I had used the word “cancellation” in doing so. So, before getting down to my real questions about the current state of the show, whose one-year contract was not renewed due to a mutual decision between the
TMI team and NNN, we went back and forth briefly over whether or not the word is applicable.
The debate over using “the C word” didn’t surprise me. It’s not a pretty word, cancellation, so it’s not surprising that we tend to avoid it. In fact, as a community in general, we talk a lot more about the shows that are beginning than we do about the shows that are about to end. Which makes sense — for one thing, a lot of shows (especially scripted ones) have limited resources, and season finales are all-too-often series finales. For another, many creators and companies who are in the business of creating ongoing brands are still figuring out what this medium is capable of, and are constantly reinventing themselves and their projects.
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