Netflix wants to further expand into international markets next year, according to the company’s CFO David Wells, who said at an investor event Tuesday that it plans a “sizable expansion” for 2015. Wells added that the expansion will be similar to what Netflix did in 2014, when the company entered six new countries in Europe, or potentially even “a little bit more.”
Bonjour and guten Tag: Netflix executives have visited Germany and France as they are looking for additional markets to launch their service.
HBO Nordic isn’t getting much love in Sweden, where a recent survey found Netflix more than ten times as popular.
Unless Congress and/or the FCC does something to change the rules of the retransmission game, pay-TV providers will need to do something to re-balance their negotiating leverage with the networks.
Netflix wants to become a major provider of 4K content next year. To prepare for that, it has already started to test 4K streaming.
Don’t hold your breath for a Netflix (S NFLX) app on your Comcast (S CMCSK) set-top box: Netflix has started to strike deals with pay TV operators abroad to run its app on their devices, and CEO Reed Hastings recently told investors that he would love to be on Comcast’s gear as well — but Comcast cable operations CEO Neil Smit said during the company’s earnings call that this is “not really a high priority” for Comcast, according to Home Media Magazine. On the same call, Comcast also announced that it lost 129,000 video subscribers in its most recent quarter, 12,000 more than during the same time period last year.
First, Netflix brought us binge viewing. Now it wants to shorten the time between TV seasons, stream in 4K and give us access to movies sooner.
Netflix now has more than 40 million subscribers worldwide, and with strong results, it is now looking to expand into large additional markets in 2014.
Reed Hastings, the CEO of Netflix, has a presentation at Slideshare called Netflix Culture: Freedom and Responsibility. I am not going to recap it completely — although it does make for interesting reflection — but I do want to pull a few critical concepts from it, because I think that Netflix has adopted a great many characteristics of the new fast-and-loose form factor of work I have been writing about the past few years.
The presentation starts with a discussion of the sort of principles that form a cultural foundation for the business — perhaps I will revisit them in a later post — but I will extract just the concept of being responsible in a context that provides a great deal of autonomy.
from the presentation:
Responsible people thrive on freedom, and are worthy of freedom.
Our model is to increase employee freedom as we grow, rather than limit it, to continue to attract and nourish innovative people, so we have a better chance of sustained success.
Hastings makes the case that most companies curtail freedom as they get bigger, because with growth comes complexity. And one counter to complexity — that worked in the industrial, slow-and-tight business context of the 20th century — was to codify processes to stop the chaos that comes with complexity. The increase in process controls and the reduction of freedom drives the best performing employees out.
Process-driven companies do well when efficiency is the fulcrum for competitiveness. But in times of fast change and a market full of innovators, that execution approach is all bad.
This turns out to be one of three bad options:
- Become process-bound.
- Stay creative by staying small, but therefore limit your impact and reach.
- Avoid rules, and suffer chaos.
But he says there is a fourth way:
Avoid chaos as you grow with ever more high performance people — not with rules:
- The you can continue to mostly run informally with self-discipline, and avoid chaos
- The ‘run informally’ part is what enables and attracts creativity
I love the concept introduced here: increasing talent density faster than complexity is riding the wave and staying ahead of chaos. Both trend lines can be managed: at the top, finding and producing high performance, creative, responsible people, and below, intentionally taking steps to retard the rise of complexity.
In this latter case complexity can be held back: a company can opt to focus on a few big products instead of many small ones, or avoid ‘efficiencies’ that lead to rigidity (process-bound, gain). Or, as I discussed in several other posts, the firm can intentionally accept lower cross-communication and collaboration, which requires deep consensus building. Instead, a fast-and-loose independence is viewed as central to the freedoms demanded by high performance staff.
So Hastings believes that if you have the right people, you can remain loosely coupled and stay ahead of the chaos arising from complexities. Instead of control (processes again) directing people what to do, you need to set context:
So it seems that Netflix has turned the corner into the fast-and-loose world of work, adopting a cooperative ethos in which the work of leadership is setting context, and working to remove the obstacles — like reducing complexity — so that the great people who thrive in a laissez-faire cultural milieu can accomplish great things. At Netflix a mistake made by a project team or an individual is more likely to be bad context setting by management than anything else. And — explicit in the principles that shape the company’s credo — is the notion that it is better to respond quickly to glitches arising from a mismatch between context and action than to create a culture in which people are not experimenting.
There are some aspects of Netflix culture that I accept only grudgingly — like the companies apparent unwillingness to work explicitly on career planning — but given the fact that they have squeezed out all the chicken shit left over from the 20th century social, that is a lot easier to take. For example, Netflix has no vacation policy, meaning that people can take as much vacation as they need, so long as work is getting done and projects are moving along. And their expense policy is five words:
Act in Netflix’s best interest.
I intend to make a visit to Netflix, and hopefully talk to Hastings and others to get a better sense of how this all works in practice.
Netflix won’t say when it is going to launch in the Netherlands, but apps for the service started popping up on Dutch app stores this week.